Earlier today, Banksy shared some photos and a video of what
he’s currently getting up to. Apparently the artist is in Gaza at the moment as
seen in the aforementioned clip titled "Make this the year YOU discover a new
destination." The video is a tongue and cheek nod to the tourism industry via
travel commercial and sees Banksy entering an “illegal tunnel” and emerging in
Gaza. Several new pieces are put up
among the urban decay including the one above which is a play on Niobe, the
Greek goddess that was punished for pride in her children. The project seems
to be a commentary on Israel’s Operation Protective Edge and the subsequent
hardships suffered by Palestinians, check it out below…
Showing posts with label Video. Show all posts
Showing posts with label Video. Show all posts
Wednesday, February 25, 2015
Friday, January 30, 2015
Video: Shredder Orpheus (Full Film)
The weekend is upon us and it’s supposed to be pretty cold
and snowy here in NY so why not grab some popcorn and a beverage and curl up to
your computer screen and enjoy the 1990 Robert McGinley “classic” Shredder Orpheus. For
the uninitiated the film centers around a skateboarder named Orpheus who
travels to Hell to stop television signals that are brainwashing America with
the help of a kickass super-powered guitar designed by Jimi Hendrix. The
soundtrack features members of Ministry and
includes a lead performance by legendary Seattle poet, Jesse
Bernstein.
Thanks to my buddy Anthony for throwing this my way.
Thanks to my buddy Anthony for throwing this my way.
Friday, December 19, 2014
Happy Friday! Christopher Walken Calls Xbox Live
Happy Friday everyone! I’m super excited because by day’s end I’ll be off to bigger and better things for the next couple weeks as I take a much needed vacation to go see friends up North. On that note let’s keep things fun and light hearted this morning with a Happy Friday post.
Picture the scene: Christopher Walken gets home after a day on set, he’s an every-man type of guy so he likes to kick back and relax while on his couch playing some Xbox One, but he can't because like the folks at Sony he's been "hacked". So like so many other gamers before him, Walken makes the dreaded call to Xbox Support.
Written and Dictated by Dai Ling Ping.
Wednesday, December 10, 2014
Video: Giraffage – “Tell Me”
Directed by Adam Avilla, Giraffage's chopped up electro pop
jam "Tell Me" is one of the strangest videos I’ve seen in a very long
while. A suitably tweaked music video, featuring a canine cast like you've
never seen before. Donuts, emotions, childbirth... the circle of life really!
If you like what you hear you can grab Giraffage's Fool's Gold EP No Reason
now.
Wednesday, October 29, 2014
Thursday, October 9, 2014
Video: The Blood Brothers Live @ Warsaw, Brooklyn October 5 2014 (Full Set)
The Blood Brothers reunited this
year, and made their way to NYC over last weekend where they first played
Central Park's Modern Sky Fest on Saturday and then headlined
a show at
Warsaw on Sunday. The crowed was definitely hyped and full of
fans as the venue erupted when the Seattle band took the stage. From that point it
didn’t let up with continuous, dancing, stage diving and crowd surfing from all
in attendance. This was my sixth time seeing the band, the last being in 2006
or so and they sounded awesome, even more impressive since this was only their
fourth show together since 2007.
Looking in the crowed you could spot Blood Orange's Dev Hynes and
Yeah Yeah Yeahs guitarist Nick Zinner, who plays with Jordan Blilie and
Cody Votolato of The Blood Brothers in Head Wound City, all
enjoying the set list made up of songs from the majority of their LP’s.
Set List:
Guitarmy, Trash Flavored Trash, Fucking's Greatest Hits, Laser Life, Ambulance vs. Ambulance, Burn Piano Island Burn, Mutiny on the Ark of the Blood Brothers, Crimes, Beautiful Horses, Peacock Skeleton With Crooked Feathers, Camouflage Camouflage, Teen Heat, We Ride Skeletal Lightning, Vital Beach, 1 2 3 4 Guitars, Love Rhymes With Hideous Car Wreck, Cecilia and the Silhouette Saloon.
Encore: Set Fire to the Face on Fire, Feed Me to the Forest, Jennifer, Birth Skin/Death Leather, The Shame.
Encore: Set Fire to the Face on Fire, Feed Me to the Forest, Jennifer, Birth Skin/Death Leather, The Shame.
Labels:
Concert,
Full Set,
Gig,
Hardcore,
Jaguar Love,
Live,
Music,
Neon Blonde,
Past Lives,
Post Punk,
Punk,
Shoplifting,
Show,
Soiled Doves,
The Blood Brothers,
The Vogue,
Video,
Warsaw,
Waxwing
Wednesday, October 8, 2014
Video: Son Lux - "Easy"
“Easy” is one of many highlights from Son Lux’s 2013 album Lanterns,
I believe it appears on either our first or second edition of the Onomatopoeia Playlist Series so you know I’m a fan. Director David Terry Fine’s video keeps things
moody and dark for the tasteful sorta NSFW video.
Labels:
Anticon,
Chamber Pop,
David Terry Fine,
Easy,
Electronic,
Hip Hop,
Joyful Noise,
Music,
Music Video,
Pop,
Ryan Lott,
Son Lux,
Video
Tuesday, September 30, 2014
Video: The Distortion Of Sound
The Distortion Of Sound documentary recently popped up on
YouTube; I’ve been interested in seeing the short film for a
while now as it speaks to my concerns with what is happening to how we consume
music as a society. Clocking in at 22 minutes the film is packed with various
musicians, ranging from legends like Quincy Jones, Hans Zimmer and A.R. Rahman,
to bottom of the barrel type stuff like Linkin Park; and regardless of any
individuals taste out there, there is a uniformed argument being presented by this
group of industry insiders that Hans Zimmer puts perfectly into words. “We are a
McDonald’s generation of music consumers.”
Perhaps I chose highlight the quote because I’ve said it verbatim for over a
decade now in my own conversations, or maybe it’s because it is the obvious comparison
to make , in other words, regardless of the reason it is the truth.
Tackling the subject by way of an illustrated time line and
evolution of music product via vinyl, to tape, to cd’s and then to MP3s; we now
listen to music that has been compressed so that it sacrifices nuance and tone in
favor of brash and loud. In the film, everyone’s favorite, sometimes homophobic dogfather of hip hop, Snoop Dogg, makes the statement that people just don't know
any better. I believe the problem is larger than that though, I think people
often do know but simply don't care, substituting quality for the convenience
of being able to access anything and everything within seconds from our mobile
devices.
Somewhat comparable in it's situation but the complete opposite in how it was dealt with was the transition from analogue to HD TV
in the television business, music, however, is driven by very different metrics. For
example, if Panasonic want to sell you a new TV, they have to convince you that
you’re missing out on something. They show you the difference. They convince
you that an HD viewing experience is the best way to fully enjoy film and best represents
what the director wanted when releasing the product for public consumption. The
television industry in effect has convincingly persuaded us to shell out 2k for
new hardware because it’s the premium experience you can't do without.
As music goes to all-online digital delivery, any
improvement to the data bit rate directly sacrifices financial bottom line. In other
words, this, like pretty much everything in society now days is not based on
quality, passion, vision or the need to progress but rather on a stone cold classic,
money. There’s worse than no benefit to educating consumers; Today’s digital
music providers are actually incentivized to keep consumers in the dark as it benefits
their wallets.
Jimmy Iovine, co-founder of Beats Electronics, speaks about
24-bit audio when furthering the point. As a hardware manufacturer, Beats can
sell pricier, high-end headphones, if consumers demand it. But when services
like Itunes, Spotify and Pandora are selling convenience at increasingly
competitive price points, there just isn’t a good enough reason to join the costly
war.
Apple, who are responsible for assumedly the most popular
and widely distributed form of listening to music on the go, the ipod/iphone,
are selling music enthusiasts down the river under the guise of innovation. But
they’re not losing any business over their horrific earbuds, in fact they are
finding new and better ways to swindle you out of your hard earned cash by
offering you a so-so product at a premium price that in reality really can't improve
the sound quality because the data compression itself is the problem. It’s a
little like owning a top of the line Ferrari with nothing but dirt roads to
drive it on.
I’ll leave you with this; when you purchase an mp3 you are
experiencing a piece of music not as the recording artist intended you to
experience it but rather as a cliff notes type version. FACT, up to 90% of a
song is altered when its run through one of today’s many forms of accepted compressions.
90% PEOPLE! I know we all chose our own battles and causes to fight but I also know
at least some of you reading this wouldn't stand for it if 90% of your nutritious,
sustainable, organic dinner was substituted with unhealthy, synthetic,
imitation food. If our school system suddenly made creationism 90% of how we
educate or children in the understanding of evolution vs. the more logically
sound studies of Darwin you would probably home school your child from that
point on, so why stop the buck here?
Obviously every choice we make as consumers doesn't have to
be important or make a social-political statement, but it can be and I argue
that every time you purchase a god awful Fun record or contribute more money to
the Red Hot Chilli Peppers retirement fund in 2014 via a live stream from
Spotify or through the purchase of an mp3 on itunes you are absolutely part of
the problem. Voting with your dollars
for an agenda that pretty much always looks out for itself, making sure to slap
the "artsy," "colored," "queers" who create some of the best product to the side in favor of convenience and a middle of the road agenda is just as gross as that McDonald’s hamburger you so adamantly protest as being
garbage or if you prefer like when "poor people" vote republican because they one day hope to be
filthy rich, in other words both the system, as it stands now, and you, suck.
Labels:
A.R. Rahman,
Dan The Automator,
documentary,
Greg Timbers,
Hans Zimmer,
Kate Nash,
Lianne La Havas,
Manny Marroquin,
Mike Shinoda,
Music,
Neil Strauss,
Quincy Jones,
Slash,
Snoop Dogg,
Steve Aoki,
Video
Thursday, September 11, 2014
Video: Supreme - "JOYRIDE"
After a bunch of internal issues apparently plaguing the
project, Supreme‘s brand new skate promo finally arrives courtesy of William Strobeck. “JOYRIDE” lasts nine minutes and stars the younger members of the
Supreme crew, including Sage Elsesser, Nakel Smith, Sean Pablo, Tyshawn Jones
and Kevin Bradley. "Senior" riders are represented by the likes of Jason Dill, MarkGonzales, Lucien Clarke, Dylan Rieder, Anthony Van Engelen, and
Bryan Herman. Shot in NYC, LA and Paris. The video will mark the follow up to
this year’s hugely successful and original “Cherry” movie which was Supreme’s
long overdue return to skate films proper.
Video: Mineral - "Live @ St. Vitus" (Full Set)
Emo veterans Mineral were only around from 1994 to
1997, having broken up before the release of their second and final album, EndSerenading,
but like many bands from the era they recently reformed for some live shows,
including a handful in NYC last week.
Brooklyn's Saint Vitus plaid host to the Texas troop’s first
night which saw the influential group play a 17 minute set filled with fan
favorites that you can now enjoy from below if your town isn't playing host to
the very short tour, and don't worry they do play “Parking Lot.”
Setlist:
Five, Eight &
Ten, Gloria, Slower, February, A Letter, For Ivadell, Sounds Like Sunday,
Unfinished, If I Could, Waking To Winter, & Serenading, Paliside, MD, Parking
Lot
Labels:
Chris Simpson,
Concert,
Crank!,
Emo,
Gabriel Wiley,
Gig,
Indie Rock,
Jeremy Gomez,
Live,
Mineral,
Rock,
Scott McCarver,
Show,
St. Vitus,
Video
Tuesday, September 2, 2014
Video: Drive Like Jehu and Dr. Carol Williams at the Spreckels Organ Pavilion in Balboa Park (Full Show)
Nice, I’ve been holding off sharing any footage of the DriveLike Jehu reunion show that took place this holiday weekend at Balboa Park until
quality film popped up. Chances are you’ve seen some videos in the last 48
hours but even Pitchfork’s shared footage was from a lousy angle and cut off Mark
Trombino which as you know is a major sacrilege . Well I’m here to let you know that if you are
a fan and couldn't make it out to California for the gig some quality footage
is now available to enjoy, but first things first. If you are not familiar with Drive Like Jehu
then please leave this website right now and go and spend some time discovering
their music. I appreciate your interest and loyalty but they are much more
important source of inspiration than any of the ramblings one can find here. If
you are here because I’m usually the person who provides said information, here
is a very brief rundown…
Drive Like Jehu were/are an American post-hardcore
band from San Diego California active from 1990 to 1995. Formed by rhythm
guitarist and vocalist Rick Froberg and lead guitarist John
Reis following the breakup of their band Pitchfork, the band's lineup
also included bassist Mike Kennedy and drummer Mark Trombino.
Their music was characterized by multisectioned compositions, interlocking
guitar patterns, orchestrated builds and releases, and elliptical melodies that
produced a distinctive sound amongst other post-hardcore acts and impacted the
evolution of hardcore punk into emo.
Rick and John have both been pretty active since Drive Like
Jehu ended and can be publicly seen performing on the regular with their
various projects including but not limited to Rocket From The Crypt, Hot Snakes, Obits, Night Marchers and more. Mark has
made his impact from behind the scenes and is heavily responsible for not just
some of the most important and influential post punk/emo albums of the era but
really helped define the entire scene’s sound as a whole. As for Mike? It would
seem that education was Mr. Kennedy’s priority as he went back to school to study
chemistry.
The band has said this will absolutely be a one off show,
but I find absolutes for these types of things to often be temporary. Rumor has
it the reasoning behind the show was that it was a rare opportunity to be able
to use the park’s organ which Dr. Carol Williams lends her talents to for the
performance.
So with little further delay sit back and enjoy Drive Like
Jehu and Dr. Carol Williams at the Spreckels Organ Pavilion in Balboa Park.
Sunday August 31st, 2014 at 6:45pm
1. Do You Compute
2. Super Unison
3. Sinews
4. If It Kills You
5. Luau
Performance supported by the Spreckels Organ Society (http://spreckelsorgan.org/), a volunteer-driven 501-C-3 non-profit (Tax ID 33-0299072) incorporated in 1988 to preserve, program, and promote the Spreckels Organ as a world treasure for all people.
Filmed on a GroPro HERO3+ Black
Video by Max Nanis (https://twitter.com/x0xMaximus)
Sunday August 31st, 2014 at 6:45pm
1. Do You Compute
2. Super Unison
3. Sinews
4. If It Kills You
5. Luau
Performance supported by the Spreckels Organ Society (http://spreckelsorgan.org/), a volunteer-driven 501-C-3 non-profit (Tax ID 33-0299072) incorporated in 1988 to preserve, program, and promote the Spreckels Organ as a world treasure for all people.
Filmed on a GroPro HERO3+ Black
Video by Max Nanis (https://twitter.com/x0xMaximus)
Thursday, August 28, 2014
Throwback Thursdays: Video - Jonathan Lethem Speaks With Raymond Pettibon About His Work
Jonathan Lethem, the Roy E. Disney Professor of Creative
Writing at Pomona College, is the critically acclaimed author of
"Motherless Brooklyn," "The Fortress of Solitude,"
"Chronic City," and "Dissident Gardens". Back in 2013 he collaborated with Raymond Pettibon on
a monographic survey of the artist's work, which embraces a spectrum of
American "high" and "low" culture, from the deviations of
marginal youth to art history, literature, sports, religion, politics, and
sexuality.
Raymond, who is most well-known for his iconic punk rock graphics, is as relevant as ever, although not the best speaker. In fact as of late his work has been licensed
to NYC trend setters Supreme. The conversation starts out a little awkward but
as things move along Raymond becomes more comfortable and opens up more about
his process, collaborations, comics, film making and more.
Tuesday, August 19, 2014
Video: HAIM – “My Song 5” (Feat. A$AP Ferg)
HAIM’s “My Song 5″ remix featuring A$AP Ferg gets the video treatment this morning after much buzz surrounding the
shoot. The humorous video features SNL star Vanessa Bayer playing a
daytime talk-show hostess but viewers might also recognize guest appearances from Vampire Weekend’s Ezra
Koenig, Kesha, Grimes, and of course Ferg and the HAIM ladies themselves.
Labels:
A$AP Ferg,
Days Are Gone,
Folk Pop,
Haim,
Indie,
Jorma Taccone,
Lonely Island,
Music,
Music Video,
My Song 5,
Pop,
Video
Friday, August 15, 2014
Happy Friday!: “Satan Is My Tour Manager”
"Penis' phallic symbols and stuff…"
Labels:
Happy Friday!,
Hard Rock,
Heavy Metal,
Humor,
Music,
Video
Tuesday, August 12, 2014
Video: TFK! Time Lapse: Deafheaven/Pallbearer/Wreck & Reference Show Poster
It’s been a long while since I shared any sort of post
related to gig poster art so why not remedy that with a ten minute time lapse video
exploring the process behind TFK! Illustration, aka Mike Wohlberg’s , 6/09/2014
Philly showcase with Deafheaven,
Pallbearer and Wreck & Reference. The final piece isn’t necessarily my favorite work
from the artist but it does a good job
in presenting the viewer with what us graphic designers/illustrators do when called upon, enjoy...
Labels:
Art,
Concert,
Deafheaven,
Design,
Gig Poster,
Graphics,
Hardcore,
Illustration,
Metal,
Mike Wohlberg,
Music,
Pallbearer,
Punk,
Show,
TFK!,
Video,
Wreck & Reference
Video: Epicly Latr'd - Elissa Steamer
I usually shy away from posting older material on the blog or at least save it for Throwback Thursdays but that’s the great thing about being your own boss, you can decide the rules, and today I figured I’d do just that and throw up one of my favorite episodes of Epicly Later’d, 2012’s Ellisa Steamer profile.
I’ve probably watched most of the Epicly Later’d’s multiple times over the years and Elisa’s episode is no different in that it’s a great watch. So why highlight after the fact? I guess this is my way of aiming the spotlight on an issue that’s probably more relevant today than it has been in years, feminism.
Something in the air has changed, maybe for the first time in a long time woman are starting to celebrate each other without the approval of men and I want to believe that most people think that’s great. Woman most certainly don't need my help championing their various achievements and contributions to society but what I can help shine a light on are the woman of counterculture, those who are a minority in a scene made up of minorities.
Hopefully readers get the sense that I do this anyways without the need to highlight it these last three plus years but as always there will be unsung heroes.
For every prime- time news report on the Kacy Catanzaro’s out there there are woman doing equal or greater things with no fanfare what so ever. No division 1 athletic advantages, no sponsorships, and most certainly no support from the mainstream media. Even the powerhouse feminist forums like Jezebel tend to focus on the most vanilla of vanilla in their pop culture reporting, offering a much needed woman’s point of view on topics that unfortunately are as tired as the stereotypes they fight to break. Do we really need another blurb on Beyonce? Speaking for myself I don’t and while some fight to get a female led superhero movie made I’d prefer to see interesting things come out of the movement rather than female driven versions of tiered “men’s staples.”
So with that here is Vice’s Epicly Later’d profile on skater Elissa Stemaer, watch it, get inspired and go do something interesting and different from your norm.
Part 1 looks at the first female pro skater ever, speaking to her from her home about her Toy Machine years from Jamie Thomas, Mike Maldonado, Brian Anderson, and Chad Muska.In Part 2, we hear more about what it was like for the best girl skater in the world to hang out in an all-dudes world.
In Part 3 we find our heroine fully confident in her role as a pro skateboarder. When she was not breaking boards, she was breaking hearts, as illustrated by the love ballad a young skater penned in her honor. Elissa also decides to leave Toy Machine and joins the controversial, but talented, Bootleg team.
In the last part of the Elissa Steamer Epicly Later'd series Elissa explains what "life after skate" is like and how surfing may actually be the key to her future.
Video: Swoon - "From Street Art to High Art"
Caledonia
Curry, aka Swoon, started her career as a street artist, but leapfrogged to
museums and galleries. Now she has expanded her work to include installation
and performance art, often with an activist bent. In the short video below Caledonia shares
some thoughts on her most recent work and gets personal discussing life and
death and how it has affected her recent pieces. There is also a charming story
about the MOMA reaching out to her that keeps things equally lite and fun this
morning.
Thursday, August 7, 2014
Listen: Celebration - "Chariot"
Wow it’s like the early two thousands all over again with
music news this week. First the Blood Brothers announce a reunion show in NYC
and now Baltimore’s original two piece band, Celebration, are back, albeit with
a new larger lineup. Now working with Bella Union, Celebration's forthcoming
full length 'Albumin' will be released on August 18th and is a further
exploration of punk, soul and psychedelia, check out “Chariot” below as well as
the campy infomercial for a game that will be included with pre-orders of the
new LP.
Labels:
Albumin,
Alternative,
Bella Union,
Birdland,
Celebration,
Chariot,
Jaks,
Love Life,
Music,
Post Punk,
Punk,
Rock,
Soul,
Stream,
Video
Tuesday, July 29, 2014
Video: Son Lux - "Lanterns Lit"
Son Lux shared a new cinematic video, today, for his
Lanterns LP track “Lanterns Lit.” Directed and produced by SJ Finlay the music
video was made while shooting a short film to help children at risk in South
East Asia. To keep updated about the release of that film and the project,
search for #ChildrenofChange.”
Monday, July 14, 2014
Video: The Afghan Whigs – "Matamoros"
You can now watch The Afghan Whigs’ latest video for
“Matamoros,” the second single from the band’s new album and first in sixteen
years, Do to the Beast. The clip, directed by Phil Harder, was filmed on
location in New York City's subway system.
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