Showing posts with label Jonathan Levine Gallery. Show all posts
Showing posts with label Jonathan Levine Gallery. Show all posts

Wednesday, March 13, 2013

Show Opening: WK Interact – “WK 360 A 25 Year Survey” @ Jonathan Levine Gallery Pop-up NYC, March 8 2013

Show card

“In a fine art universe where the sum of pictures all comes down to a kind of nature morte, WK is about the life still unfolding rather than the still life. Considered in relation to his studio work, where violence, sexuality, fetish, terror and the devolutionary descent of dehumanization lurk in passages of brutal irony that edge towards sarcasm, the benevolence so evident in WK’s public art must be viewed as coming from a position where creativity constitutes a kind of critique. WK’s romance with the city is not the abiding comfort of an old lover but the frisson of new flirtation constructed of a constantly rejuvenating sense of discovery.” — Carlo McCormick

Show card inside
Last Friday New York‘s long time French representative, artist WK Interact, opened his latest show in conjunction with Jonathan Levine Gallery at a pop-up location on 557 West 23rd street. Simply titled WK 360 the show acts as a mid-career survey of WK's work, celebrating the last 25 years of the artist's dynamic career.  Included in the show are a series of works on cardboard, paper and panels, canvases, large multi-paneled collages, wheat pasted doors, skate boards, classic WK espionage gear and even pillows that are all rendered in WK's signature stark palette. Memorabilia and photographs are also on display and serve to document his early years and evolution as a street artist.

WK Installation outside the pop-up location

Often with artists who are associated with the street art movement gallery shows can lose something in the move to a clean and crisp gallery environment, I’m happy to say that while WK’s work is so successful because of the way it is presented on the streets and interacts with the urban environment, it is equally captivating and full of motion in this setting. This is in part because  the collection is quite impressive when housed in one large location and has been put together with much love and attention to detail.  As a long-time fan of WK’s work the show satisfied my senses beyond any expectations, and expectations were indeed high. 

NY fans wait in line, in the snow,  to be able to get a limited edition signed print.

Always the first-class person that he is WK gifted the first 100 attendees with one of three limited and signed edition screen prints and was more than happy to discuss his work with anyone who approached him or asked to take a photo.

Make sure to make it over to get a look at the work first-hand if you are in NY anytime from now till March 30th when the show closes. WK himself is often at the location snapping photos of  people enjoying the show just as enthusiastically as those shooting his work, who knows maybe you might get lucky and be immortalized in one of the artist’s wheat pastes in the future!

Sunday, October 21, 2012

Show Opening: Jeremy Geddes - "Exhale" / Ashley Wood - "Machine Sabbath" Jonathan Levine Gallery October 20 2012 NYC


Yesterday evening saw the opening of two highly anticipated shows at New York’s Jonathan Levine Gallery, a one-two punch featuring two of Australia’s hottest contemporary artists, Ashley Wood and Jeremy Geddes. Both living and working in Australia isn’t the only thing these artists have in common as they both are also known for their comic book work. Woods’ work can be seen in Ghost Rider, Spawn and The X-men amongst other well known titles and Geddes’ illustrations have appeared in Star Trek and Zombies! Eclipse of the Undead books to name but a few. The two artists have also worked in the video game industry respectively having worked with Konami in Woods’ case and Activision in Geddes’. So needless to say it made sense to have a joint showing as the work complemented each other’s quite well. On a personal note I can say I had been anticipating this opening for a very long time, well over a year to be more precise, and by the sheer number of people in attendance I presume I was not alone in the countdown to the October 20th opening.

Ashley Wood - "Happiness 3" Oil and Acrylic on linen 36 x 72 inches.

and their surrounding environments are partially masked and disjointed by extreme contrasts in light and shadow. Woods' dynamic painting technique combines multiple layers of oil, acrylic and glazes, resulting in a painterly quality and high-gloss, drippy aesthetic. 

In addition to works on panel and canvas, the exhibition also featured two mixed media collages consisting of photographic Polaroid images as well as two sculptures of shapely right legs wearing strappy high-heeled sandals, each decked out with paintings of nudes on the outer calf. In the artist's words, Machine Sabbath is an inquiry into the ambiguity of silent suburban backyards, the conversations that take place between the denizens of those private spaces and the machines that think for us.”

Ashley was in attendance and was only too happy to sign works and discuss his craft with the very long line of comic book fans and fine art aficionados alike.

Jeremy Geddes - "Begin Again" Detail. Oil on Board 28.75 x 25.375 x 1.75 inches, framed.



Jeremy Geddes has really had an exceptional 24 plus months in the contemporary art world having really exploded these last couple of years, Again like Woods, Exhale marked the debut solo exhibition in the United States for the artist and the man most certainly came correct with a series of 17 paintings rendered in painstaking detail. Geddes’ work, an arduous process that combines scrupulous study, fine brushwork and delicate layers of glaze, combines a tension between man-made environments in flux and the vulnerability of the human body. Many of the works in the exhibition depict figures suspended in barren urban landscapes or splintered environments that are in the process of falling apart. Think of bullet time special effects as seen in Hollywood films like The Matrix and you will get a good picture of the drama rendered on these panels.  The complex works are contrasted by a series of five paintings titled "Misèrere" (Italian for have mercy), each featuring a single subject isolated in a solid black plane—alternating birds and a failing Apollo Command Service Module. This series is accompanied by four paintings with solitary human figures, titled "Misère" (French for poverty or destitution). Although there are recurring motifs in the paintings, Geddes prefers to leave his subject matter open to interpretation rather than attach a specific narrative to his work, thus allowing individual viewers to connect disparate elements into a structure that resonates with them personally.

Jeremy Geddes - "Acedia" Oil on Panel 29.75 x 51 x 2.25 inches, framed.



Needless to say the limited amount of works on show had sold out for Geddes before the show even opened, having been on the list myself before the show was yet publicly announced a good year and a half ago wasn’t even enough to secure a coveted painting by the artist. Woods’ work was also just about sold out on the night of the opening and I suspect by the end of the show will all find their way onto the walls of collectors. Even the limited edition prints had waiting lists and were all claimed at a rapid pace so make sure you make it down to the gallery before the shows close on November 17th to get a increasingly rare opportunity to see works from these two exceptional artists in person.


Thursday, July 12, 2012

Go Buy This: WK Interact - "Struggle 1"


One of my all time favorite street artists, WK Interact, has released a new limited edition print with Jonathan Levine Gallery, details are as follows….

Struggle 1, 2012
2c screen print on 320 gsm acid free Stonehenge paper
Paper size: 21.5 x 37 inches
S/N Edition of 25
$175.00

Please note this print must be flat-packed for safe shipping; a handling fee will be included in the shipping cost.

Click HERE to purchase.

Wednesday, June 6, 2012

Video: Doze Green - "Luminosity in the Dark Rift"


Here is a brand new video by Colin Day of artist DozeGreen  working and playing in his studio as he prepares a series of paintings that are part of  his current exhibition being hosted at Jonathan Levine Gallery entitled  Luminosity in the Dark Rift. If you are in the NYC area make sure to stop by the gallery before the show closes on June 16th.

Monday, March 19, 2012

Video: Time Lapse of Tara McPherson Painting "Safety of Water"

Tara McPherson recently released a Giclee for her painting "Safety of Water". Originally the image was used as a screen print for a Faith No More show on the Williamsburg water front here in NY, then we got to see the original painting at her solo show "Bunny In the Moon" at the Jonathan Levine Gallery. Now we get a large size art print free of text with an edition of 100 pieces at 24 x 30”. The original painting is oil on linen, stretched over panel and measures 60 x 48 inches and you can see a cool time lapse video of its creation below…

20" x 26" image size
24" x 30" paper size
Edition of 100
Signed and Numbered
Giclee on Velvet Fine Art Paper
Printed with Archival Inks
 


Available for $100 HERE.

Sunday, January 29, 2012

Show Openings: Natalia – “Fabia Punk Rock Rainbow Sparkle” & “Hybrid Thinking” (Curated by Wooster Collective @ Jonathan Levine Gallery

Natalia Fabia - "Palace Amusement Jump" Oil on Panel.
Jonathan Levine Gallery opened its first show of 2012 with a joint effort from L.A. based painter Natalia Fabia and her new collection of works entitled “Punk Rock Rainbow Sparkle” and The Wooster Collective curated “Hybrid Theory”. This was the NYC debut from Fabia who is known for her colorful photorealistic paintings of equally colorful woman who often act as her provocative subjects. The new paintings based on East Coast culture and style that Fabia experienced first hand during a three-month stay give the artists signature work a new twist.

In the artist’s words: “Punk rock is one of my true loves. Punk to me is an attitude, a lifestyle. Punk is a middle finger, punk is do-it-yourself, do what you want. It’s a kind of freedom. I’m attracted to my subjects for having that quality. This attitude is what I wanted to convey in this series. My models (many of which are friends) are all tough, independent, strong, fun, hard working, talented, tattooed and stylishly dressed. I look at punk rock as being dirty and rough, yet sparkly and enticing at the same time, and that’s the theme of my paintings.” 

Wooster Collective’s Sara and Marc Schiller take up the second half of the gallery with their curated group exhibition entitled “Hybrid Thinking”.  The show brings together six preeminent emerging artists from around the world including Dal, from Beijing, China (now based in Cape Town, South Africa); Herakut, a duo based in Frankfurt, Germany who we have featured in the past; Hyuro, from Buenos Aires, Argentina, currently based in Valencia, Spain; Roa, based in Belgium; Sit, from the Netherlands; and Vinz, born and based in Valencia, Spain.

With a wide array of discipline, medium, style and cultural influence, work by the six artists in this exhibition is thematically cohesive in its related subject matter—through figurative pairings of human and animal elements, the artists explore concepts of instinct, identity and metamorphoses.

In the curators’ words: “Hybrid Thinking refers to the current zeitgeist of our time: disparate cultures coming together to create something completely new. Though from distinctly different cultural backgrounds, these artists share an understanding of our cities, of the human condition and our complex relationship with nature.”


If you are in NY be sure to make it to the gallery to check out the shows first hand which will be running till February 11, 2012.


Wednesday, October 26, 2011

Openings: Josh Keyes – “Migration” & AJ Fosik – “Time Kills All Gods” @ Jonathan Levine

Josh Keyes and AJ Fosik unveiled their latest body’s of work at New York’s Jonathan LeVine Gallery this week and with two heavy weights showing together you can believe there was excrement in the air. Keyes’s portion of work is titled Migration and Josh had this to offer up on the subject of his show

Migration and displacement were ideas that continued to surface in my mind while I was painting these images. I was thinking about the effects of climate change and the way some ecosystems that thrive in a specific range of temperatures—like polar or tropical climates—are experiencing a shrinking of their boundaries. Ecosystems that were separate are now slowly merging and overlapping one another, causing disruptions in the food web and increased competition for food and space among species. Some become displaced and are forced to migrate, in order to survive.”

It was good to see many JK favorites make a return, animals such as the alligator, orca whale and polar bear with Stampede, a 10′ x 5′ canvas that is Josh’s largest piece to date acting as the centerpiece. The show will be up until November 19th, so if you’re lucky enough to be in NY definitely make plans to see it.

AJ Fosik who has been highly visible as of late with the release of Mastodon’s new LP The Hunter which Josh created the cover art for shared with us his new collection titled  'Time Kills All Gods.' The new totems  that are created from completely sustainable lumber sources continue the theme of animalistic trophies with some interesting departures for the artist including a large scale installation piece, some free standing mantle works and a series of more subdued hand sculptures. The sheer size of these things are quite impressive in person. 

The collections will be shown from October 22, 2011 through November 19, 2011

Monday, October 10, 2011

Video: Shepard Fairey Paints Asbury Park

Here is a video of Shepard Fairey working on some music inspired pieces in conjunction with All of Tomorrow’s Parties festival in Asbury Park, NJ.  The video focuses on the ins and outs of the project with insight from both Sheppard himself and gallerist Jonathan Levine, enjoy below….

Shepard Fairey Paints Asbury Park from Adam Worth on Vimeo.

Friday, July 1, 2011

Show Opening - Dan Witz "Mosh Pits, Human and Otherwise" & Brett Amory - "Dark Light" @ Jonathan Levine Gallery NYC

Jonathan Levine and Dan Witz at the opening.
We mentioned Dan Witz earlier this week in our sneak peak for his new collection "Mosh Pits, Human and Otherwise"s  showing at Jonathan Levine Gallery. Last night was the opening and Mr. Witz shared with us an impressive body of work that highlighted his mosh pit theme, a series of mixed media paintings produced over the past ten years. The hyper-realistic paintings achieve illusions of light, shadow and depth that must be seen.

Opening along side Dan was Oakland native Brett Amory's "Dark Light," a new series of paintings on panel expanding upon Brett's ongoing series of works entitled "Waiting." The breathtaking works portray studies of urban life through fragmented cityscapes and anonymous, isolated figures.  The show runs until July30th and is a must see. Enjoy the slideshow below...

Wednesday, June 29, 2011

Sneak Peak - Dan Witz - "Mosh Pits, Human and Otherwise" Jonathan Levine Gallery NYC

70 Commercial Street
A little sneak preview of Dan Witz's new show opening tomorrow June 30th at Jonathan Levine Gallery, I've seen all the works and they are really quite impresive.

"Born in 1957 in Chicago and currently based in Brooklyn, Dan Witz attended Rhode Island School of Design from 1975-77 and came to New York in 1978 to attend Cooper Union, receiving a  BFA in 1980. In 1982, he received a grant from the National Endowment for the Arts. In 1992 and 2000, he received fellowships from the New York Foundation for the Arts, and in 1998 he received a fellowship from the Public Art Fund. His work has been exhibited in galleries and museums worldwide and featured in numerous books and publications."

Hooded Girl with Ball Gag

UPDATE! Check out our story on the opening night.