Showing posts with label Show Opening. Show all posts
Showing posts with label Show Opening. Show all posts

Wednesday, March 13, 2013

Show Opening: WK Interact – “WK 360 A 25 Year Survey” @ Jonathan Levine Gallery Pop-up NYC, March 8 2013

Show card

“In a fine art universe where the sum of pictures all comes down to a kind of nature morte, WK is about the life still unfolding rather than the still life. Considered in relation to his studio work, where violence, sexuality, fetish, terror and the devolutionary descent of dehumanization lurk in passages of brutal irony that edge towards sarcasm, the benevolence so evident in WK’s public art must be viewed as coming from a position where creativity constitutes a kind of critique. WK’s romance with the city is not the abiding comfort of an old lover but the frisson of new flirtation constructed of a constantly rejuvenating sense of discovery.” — Carlo McCormick

Show card inside
Last Friday New York‘s long time French representative, artist WK Interact, opened his latest show in conjunction with Jonathan Levine Gallery at a pop-up location on 557 West 23rd street. Simply titled WK 360 the show acts as a mid-career survey of WK's work, celebrating the last 25 years of the artist's dynamic career.  Included in the show are a series of works on cardboard, paper and panels, canvases, large multi-paneled collages, wheat pasted doors, skate boards, classic WK espionage gear and even pillows that are all rendered in WK's signature stark palette. Memorabilia and photographs are also on display and serve to document his early years and evolution as a street artist.

WK Installation outside the pop-up location

Often with artists who are associated with the street art movement gallery shows can lose something in the move to a clean and crisp gallery environment, I’m happy to say that while WK’s work is so successful because of the way it is presented on the streets and interacts with the urban environment, it is equally captivating and full of motion in this setting. This is in part because  the collection is quite impressive when housed in one large location and has been put together with much love and attention to detail.  As a long-time fan of WK’s work the show satisfied my senses beyond any expectations, and expectations were indeed high. 

NY fans wait in line, in the snow,  to be able to get a limited edition signed print.

Always the first-class person that he is WK gifted the first 100 attendees with one of three limited and signed edition screen prints and was more than happy to discuss his work with anyone who approached him or asked to take a photo.

Make sure to make it over to get a look at the work first-hand if you are in NY anytime from now till March 30th when the show closes. WK himself is often at the location snapping photos of  people enjoying the show just as enthusiastically as those shooting his work, who knows maybe you might get lucky and be immortalized in one of the artist’s wheat pastes in the future!

Friday, January 11, 2013

Show Opening: James Jean – “Parallel Lives” @ Tilton Gallery NYC, January 9 2013

This week my friend Mark Frangos and I attended the latest show from James Jean, which marked the NY follow up to the artists last show at Jonathan Levine Gallery entitled Kindling in January of 09. I thought it was only right that Mark pen the story as he has been a fan of Jean's work longer than I have and would see things differently than me coming from comics rather than my introduction to the artist via the fine art world… 

It’s been 11 years since James Jean broke out as a cover artist for Vertigo’s successful Fables comic series. After seven years and winning numerous industry awards, Jean left the world of commercial projects to focus on painting where his star has continued to rise.

On Wednesday, January 9, Jean made his triumphant return to the New York art scene with Parallel Lines, a solo exhibition of paintings and drawings. The Tilton Gallery on 8 East 76th Street, between Madison and Fifth Avenues will house the exhibition through February 16. 

If you are unable to visit the gallery, Pressure Printing released the catalogue documenting Parallel Lives in an edition of 1000 that’s signed and numbered for $38.

James Jean – “Wave (Buried)” 2012 Archival inkjet print mounted on aluminum 44 inches diameter


The core of Jean’s work lies in his detailed linear pen and ink drawings that fill countless notebooks and inform virtually all of his creative output. His larger drawings suggest personal fairy tales that merge with decorative abstractions, whereas his paintings capture individual narrative moments and comment on contemporary life. Even in these, abstract drips of paint or grids of dots overlaid on the image draw the painting back into an imaginary dream world where nothing is as stable as it appears. This duality is also emphasized in a few paintings that were created as diptychs, pairings of representational rectangular paintings with digitally produced images of crashing waves.

“These images represent separate realities, but there is a relationship and tension between the images when they are paired together,” Jean explained.

James Jean - "Pagoda" 2012 Apraypaint, acrylic, & ink on 84 wood panels 112 x 192 inches.


Jean’s work has been influenced by diverse sources such as Chinese scroll painting, Japanese woodblock prints, Northern Renaissance art and Durer etchings. It evokes the worlds of M.C. Escher, Aubrey Beardsley and Hieronymous Bosch as well as psychedelic artists of the sixties. "Pagoda" which takes up an entire wall at 112 x 192" exemplifies this best. 

One of the pieces on display was a print of the art Jean provided for rapper Talib Kweli’s new album Prisoner of Conscious. Jean’s intricate, colorful stylings serve as a mask which contrast with the figure’s haunting eyes. 

James Jean - "Talib Kweli" 2012 Archival inkjet print mounted on aluminum 23 x 20 inches.


Jean was on hand at the opening and available for his legions of fans that span from different periods of his career. He happily posed for photos and answered any questions about his work and the show.

Jean was born in Taiwain in 1979 and moved with his parents to New Jersey where he grew up. He received his B. F. A. from the School of Visual Arts in New York and has been living and working in Los Angeles since 2003.
 

Sunday, October 21, 2012

Show Opening: Jeremy Geddes - "Exhale" / Ashley Wood - "Machine Sabbath" Jonathan Levine Gallery October 20 2012 NYC


Yesterday evening saw the opening of two highly anticipated shows at New York’s Jonathan Levine Gallery, a one-two punch featuring two of Australia’s hottest contemporary artists, Ashley Wood and Jeremy Geddes. Both living and working in Australia isn’t the only thing these artists have in common as they both are also known for their comic book work. Woods’ work can be seen in Ghost Rider, Spawn and The X-men amongst other well known titles and Geddes’ illustrations have appeared in Star Trek and Zombies! Eclipse of the Undead books to name but a few. The two artists have also worked in the video game industry respectively having worked with Konami in Woods’ case and Activision in Geddes’. So needless to say it made sense to have a joint showing as the work complemented each other’s quite well. On a personal note I can say I had been anticipating this opening for a very long time, well over a year to be more precise, and by the sheer number of people in attendance I presume I was not alone in the countdown to the October 20th opening.

Ashley Wood - "Happiness 3" Oil and Acrylic on linen 36 x 72 inches.

and their surrounding environments are partially masked and disjointed by extreme contrasts in light and shadow. Woods' dynamic painting technique combines multiple layers of oil, acrylic and glazes, resulting in a painterly quality and high-gloss, drippy aesthetic. 

In addition to works on panel and canvas, the exhibition also featured two mixed media collages consisting of photographic Polaroid images as well as two sculptures of shapely right legs wearing strappy high-heeled sandals, each decked out with paintings of nudes on the outer calf. In the artist's words, Machine Sabbath is an inquiry into the ambiguity of silent suburban backyards, the conversations that take place between the denizens of those private spaces and the machines that think for us.”

Ashley was in attendance and was only too happy to sign works and discuss his craft with the very long line of comic book fans and fine art aficionados alike.

Jeremy Geddes - "Begin Again" Detail. Oil on Board 28.75 x 25.375 x 1.75 inches, framed.



Jeremy Geddes has really had an exceptional 24 plus months in the contemporary art world having really exploded these last couple of years, Again like Woods, Exhale marked the debut solo exhibition in the United States for the artist and the man most certainly came correct with a series of 17 paintings rendered in painstaking detail. Geddes’ work, an arduous process that combines scrupulous study, fine brushwork and delicate layers of glaze, combines a tension between man-made environments in flux and the vulnerability of the human body. Many of the works in the exhibition depict figures suspended in barren urban landscapes or splintered environments that are in the process of falling apart. Think of bullet time special effects as seen in Hollywood films like The Matrix and you will get a good picture of the drama rendered on these panels.  The complex works are contrasted by a series of five paintings titled "Misèrere" (Italian for have mercy), each featuring a single subject isolated in a solid black plane—alternating birds and a failing Apollo Command Service Module. This series is accompanied by four paintings with solitary human figures, titled "Misère" (French for poverty or destitution). Although there are recurring motifs in the paintings, Geddes prefers to leave his subject matter open to interpretation rather than attach a specific narrative to his work, thus allowing individual viewers to connect disparate elements into a structure that resonates with them personally.

Jeremy Geddes - "Acedia" Oil on Panel 29.75 x 51 x 2.25 inches, framed.



Needless to say the limited amount of works on show had sold out for Geddes before the show even opened, having been on the list myself before the show was yet publicly announced a good year and a half ago wasn’t even enough to secure a coveted painting by the artist. Woods’ work was also just about sold out on the night of the opening and I suspect by the end of the show will all find their way onto the walls of collectors. Even the limited edition prints had waiting lists and were all claimed at a rapid pace so make sure you make it down to the gallery before the shows close on November 17th to get a increasingly rare opportunity to see works from these two exceptional artists in person.


Friday, September 7, 2012

Show Opening: Futura - "Future-Shock" @ Valmorbida, NYC


NYC Graffiti legend, Futura, had his first major New York show in 12 years open yesterday on behalf of Andy Valmorbida and PM Tenore in the meat-packing district of the city.  “Future-Shock”, curated by Nemo Librizzi, is everything a fan of the artist could hope for and fans came by the droves.  Although this is a freshly created group of works, it definitely felt like a mini retrospective to those familiar with the artists work as viewers were treated to Lenny’s early 80’s style, to the signature atoms he is probably most known for, to his topographical renderings, to his most recent abstractions. The new paintings, of which there were many and massive in size, were a site to behold, representing a collective experience for the artist who chooses spray paint as his main tool. 



The venue was a large and uniquely lit space filled with hardcore fans, to major collectors, to celebrities, including Kool Keith and Fab 5 Freddy, to other graffiti royalty and the press. The model-esque Staff manned the space with a never ending supply of cocktails and wine as the night progressed and the space rapidly filled. A DJ supplied a mix of classic hip hop which added to the party like vibe and overall positive spirit you could feel lighting up the room. Of course Futura himself made time to sign all the aspiring artist’s black books that were in attendance and pose for pictures. 



In actuality I can’t really do the show justice via my words and photos so I beg of you to check it all out in person if you are in the New York area starting from today when it opens to the public at Valmorbida on 560 Washington St. The exhibition is presented with the support of VistaJet, Bombardier Aerospace and RVCA Artist Network Program.